of Remarkable Things

     Upstairs at number twenty, in the kitchen, the old man is looking for his hat, he's talking over his shoulder to his wife, he's saying I'm sure I left it on the side have you seen it, he can't hear her reply so he raises his voice, calling through to wherever she is, in the bedroom, the bathroom.

    She says I've got it right here, and he turns and she's holding his hat out to him.

    She says there's no need to shout, and they catch each other's eyes, the day she first said those words to him flashing clear again in both of their minds.

    The day he'd come back to her, a husband to his wife, the rain had fallen from the sky like it was God's own washday. His kitbag was sodden and heavy, his uniform chafing wetly against his skin. The water streamed off his hair, sending thick dribbles of grease down the back of his neck, and his cigarette hung smokelessly from his lips. All the way home he'd been thinking about comfort and warmth, a pot of tea by the fire, a hot bath, a night's sleep in sheets and blankets, but when he'd turned the last corner into this street he could only stand and look.

    He'd looked at the houses, their front-room curtains all drawn and their doors all closed. He'd looked at the gardens, their small hedges all neatly trimmed, their rows of vegetables and herbs all protected from the birds by pegged lines of string. He'd seen a furl of faded bunting tangled in the top branches of the tree opposite his house, a car parked outside number seven, the railings all cut down to stumps. But there'd been no people in the street. There'd not been a crowd of cheering children waiting to meet him, waving the Union Jack and jostling round him while he handed out sweets and stockings and gum. That was not the way it was. People had not been leaning out of windows to welcome him home. There was not even a brass band marching down the middle of the street with a fat man playing a rousing tuba.

    There was quiet, closed doors, a gray sky, pouring rain.

    He'd stood there, on that day, and he'd called his new wife's name. Dropped his kitbag to the floor, filled his lungs with the cold damp air, and called out her name. He'd wanted to meet her in the street, not knock on the door like a delivery boy, he'd wanted to see her running excitedly towards him. There were faces appearing at windows, but he couldn't see her face and so he flung her name into the rain. Doors had opened, and people had hovered in their hallways, looking at him, but the door of number twenty had stayed closed and so he cupped his hands around his mouth and called and called her name, not caring what people thought, relishing the syllables of it, sending them echoing down the street.

    And it had only been when he'd stopped for a long breath that she'd put her shopping bag down and said there's no need to shout I'm right behind you and he'd turned, and they'd held each other, and it was the closest fiercest embrace they have ever had, knocking the breath out of both of them and leaving them unsteady on their feet.

    They still say it to each other now, sometimes making each other laugh, there's no need to shout I'm right behind you they'll say, sneaking around the other's back, slipping a pair of arms around a waist, I'm right behind you they'll say.

~Jon McGregor, If Nobody Speaks of Remarkable Things